Examine the ways in which lyric poem and identity are do by in Translations         Translations is set in 1833, in County Donegal, which was soon after(prenominal) the time when Britain had claimed Ireland as part of its empire. The British and the Irish therefrom had differing languages, so the British decided to go through the transit of naming or renaming Irelands geographical features. In Translations language and identity are used more as a plot device and plot feature rather than as part of stylistic technique, which is their most common role.
        When the play was stolon performed by Friels own theatre company it was performed in the Irish language, and at the start of the play, all the characters speak Irish as their first language, the English language comes into the script a lot later, which reflects the course of events in Ireland over the past twain centuries. All these characters have been brought up speaking the language and it is a fundamental part of their life, culture and identity.
        English is the second briny language in the play. It represents the future to Maire and Owen, and a mistake to Hugh and Manus. The two English speakers come as part of the same assignment, to sop up a map of the country and to see that the place label are ... correct.
, but they have greatly differing attitudes towards Ireland and its identity. Captain Lancey sees the Irish as inferior to the English, which is evident when he is willing to rout out a whole village of them, over the disappearance and presumable death of one Englishman. Yolland however falls in hit the hay with Ireland, its language and culture and he feels that something is being eroded by his task of renaming the geographical features of Ireland. Yolland is not the stereotypical English male...
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