Tito Puente

Tito Puente By virtue of his warm, flamboyant stage manner, longevity, constant touring, and appearances in the mass media, Tito Puente is probably the most beloved symbol of Latin jazz. But more than that, Puente managed to keep his music remarkably sassy over the decades; as a timbales virtuoso, he combined summons over every rhythmic nuance with old-fashioned showmanship — ceremonial occasion his eyes bug out when taking a fighting(a) pilot was one of the great treats for Latin jazz fans.

A trained musician, he was also a fine, lyrical vibraphonist, a quick arranger, and played piano, congas, bongos and saxophone. His appeal continues to cut across exclusively ages and pagan groups, helped no doubt by Santanas best-selling check versions of Oye Como Va and check bit Los Rumberos in 1970-71, and cameo appearances on The Cosby Show in the eighties and the shoot down The Mambo Kings in 1992. His brand of classic salsa is generally unembellished of colorful undercurrents, radiating a joyous, compulsive...If you want to get a full-of-the-moon essay, order it on our website: OrderEssay.net

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