A Pariah and a Picasso

He would design toys, draw off illustrations for books his older brothers were creating, and when he was 19, published his first book, an illustrated guide to the atom.

In October, 2000, Sendak was reflecting on his long and varied c arer in children's literary productions and pointed out

When I was younger, the children's book industry was small and persuade by strong women. In the '70s, we became too successful, started making too much money, and we started to draw men into the industry because money is anthropoid (Grande, 2000).

Sendak, children's illustrator, writer, and producer of more than 80 books, including In the Night Kitchen and Zlateh the Goat, is a man who continues following his creative visions. His classic work, Where the Wild Things Are, is stable one of the 10 best-selling children's books of all time.

His Motivation for Producing Children's Literature

The impending he has ever come to explaining the "why" of focusing on children's literature came in his speech at Princeton referred to above, when he posited that "Children are smarter than we give them credit for these days. They know more than what parents are involuntary to admit that they know" (Grande, 2000).

He could very well be describing himself as a child. At the Jewish Cultural Awards junket in 1998, Sendak enthralled the audience with memories of his childhood. As he recalled, at that place was no escape and he "resented those faraway dead Jews.

At my bar mitzvah, in 19

any consideration of Sendak must deal with his 1963 work, Where the Wild Things Are. Textually, the book brings with a fight at the dinner table where young muck refuses to eat. He is sent to his room, and in his room, strange and wondrous things begin to happen. Vines and jungles appear and he is on a strange and foreign island where he sails off from his bedroom to this land where odd and fishily drawn creatures abide.

It appears, after looking at Sendak's art as a whole (the prime benefit of the book) that he is an creative person whose style cannot be categorized. Each drawing is what it is, and can be nothing more, or can be symbolic of the world. In fact, it is as if Sendak is saying to those people who search for meaning in every stroke of the brush or the pen, "Look indoors yourself and see where the wild things are."

Winerman, Lea, (1999, Dec. 1), Sendak's obsession, Moment, 31.

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